Shows I've Seen...

Playlists...

a mixed bag of every song i've ever enjoyed

a bedtime playlist full of slow jams

cis men writing *suspiciously* trans lyrics

hard-hitting screamers

religious trauma goes crazy

love songs that kind of hurt

unusually optimistic

slow jams perfect for a drizzly bus ride through the PNW

when you're on the road, see: 'riding the king country metro bus in the rain'

when its sad song and pretending to be in an edit time 😈

internet deep cuts, dreamworks osts, and gulty-pleasure eminem songs

a little misogyny as a treat

self-explanatory

falling in love while the world falls apart

sex without the baggage; aroallo anthems

Current Obsession: Ur Not That Great by The Hobby — as of [04.08.26] archive

→ Gabe's voice in literally any The Hobby song
→ when tim mcilrath screams SEVEN SHOTGUN SHELLS in the ballad of hollis brown
→ the bass tone in The Unraveling (Album) is sooooo fucking funky
→ in the bridge of Never Meant to Know, when rob sings and all the parts combine to one... and also the part where joe starts harmonizing during the see the sun, the shadows cast
→ in pluto from cojum dip when bora sings am i real, or someone elses dream?
→ in smoke by alkaline trio where Dan harmonizes during "plane ride out"
→ the end of the second verse of the live in cambridge version of Pure Massacre by Silverchair where he yells "No one hears a sound!"
→ that "Birds and bees and television!" bridge that rob sings in Good Day by Tally Hall
→ zubins part in Rotary Park w/Joe Hawley where he sings, Be / Leave and decide / Stay and be blind / Easy to claim when you've places to find / We nearly died / Be that inside / grinding the gears of all tides
→ the chorus of Sober by TOOL where maynard sings why can't we not be sober?
→ the vocalization in the verses of Try Honesty has such a specific tone thats so unique i love it
→ the intro AND chorus of Calling All Skeletons
→ the ending of Dirt & Roses when the band all harmonize together while tim sings the last verse
→ the bridge in letterbomb by gd where he yells "Well she said 'I can't take this place I'm leaving it behind' / Well she said 'I can't take this world I'm leaving you tonight!"
→ in Homecoming by Green Day during the intro where he does the two muted strums
→ "Welcome to Horrorwood" breakdown when he finishes with "so hows this for an establishing shot?"
→ in Red Flags where the female vocalist says "the costume design was a highlight"
→ funeral derangements by ice nine kills when spencer sings "ill make this right!" AND when he says "nothing here is set in stone!"
→ the verse in Dark of the Matinee where the band vocalizes behind the chorus
→ in "give it all," during the bridge when he says "SO WET MY TONGUE, BREAK INTO SONG, THROUGH SEAS OF COMPETITON"
→ "what's a girl, to do?" in From The Start - Good Kid
→ the part in Purity (slipknot) when the chorus plays and it has that reverb
→ the part in Chop Suey after the bridge where he goes "in your eyes forsaken, me ill... trust, in, my SELF RIGHTEOUS SUICIDE!!! i cry, when angels DESERVE TO DIE!!!"

Sister Songs...

Song Artist Song Artist Notes
The Good Left Undone Rise Against The Dirt Whispered Rise Against relationship turmoil with earthy metaphors
Kinky Sex Makes the World Go 'Round Dead Kennedys Slip It In Black Flag kinky spoken word over electric guitars
Bottom Tool The Approaching Curve Rise Against heavy guitar interjected with spoken word, and spoken word interjected with heavy guitar
Wake Me Up When September Ends Green Day Father to a Son Green Day this one is cheating a bit since im sure this is what BJA had in mind, but oh well. a letter from a son to a father, and a father to a son.
The House of the Rising Sun The Animals Ballad of Hollis Brown Rise Against tragedy told through folk songs

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